Submitted by Ghazi:
“I decided to draw my own picture, which would be a series of people I knew all performing in a “Supergroup.””
“Supergroups have had mixed reputations throughout the history of music, but no Supergroup had as turbulent a musical history as “Super X-2,” driven mainly by artistic differences, sometimes expressed as those between the drummer and the pianist about wheth…er or not video game music was as good as the works of Mozart , sometimes expressed by the bassist’s dissatisfaction at the level of audio feedback that the sound engineers tolerated, and sometimes expressed by the rhythm guitarist’s disagreement with himself the next day. Still, the band also generated a few rave hits, with Pitchfork media calling them, “The least pretentious supergroup since Emerson Lake and Palmer” and the band receiving accolades at the Los Angeles Music Awards as a “startlingly original group” although one of the judges railed against the band’s decisions to the revise and reuse of an old Atonal Melee song, which they now called “Assless Chaps.” Furthermore, the New York Times reviewed one of the band’s concerts, calling it “Ten times as good as The Bruce Band, with only one tenth the membership!” “
A followup from Bartholomew:
“After losing the Frohlich Mode-Wettbewerb, and carelessly allowing our wrath to overcome us later at the hotel, B and I decided to become ministers online through the Universal Life Church. We got together with the only two other people as white as us and recorded “Let Me Touch Him,” striving to get closer to Jesus. Although God Himself approved of our chef d’ouevre, critics unanimously panned the album, and our producer was arrested for singing the title track to the boys at Sunday school.”
We also have some feedback from the Facebook posting. One crass individual asked of the album title: “all right, if you had to… which one”?
To which one of the singing ministers replied: “By “if you had to…which one” I assume you mean “if you had to listen to just one of this band’s divine songs and no others which one would you listen to?” I can answer that question with some difficulty. The opening track, “Jesus in the Saddle” (a bit of a country-western riff) is hard to turn down at first, but after repeated listenings the rhythmic simplicity of the piece grows tiresome. The second track “Kneeling at the Alter” was a largely forgettable ballad. The third track, “Thy Rod and Thy Staff They Comfort Me” was very strong, and a bit long, filled with glorious anthems. The title track was amazing, and would be difficult to go without, but is hard to forget the inglorious incident of the arrest associated with that song. The last reflective song, though, “Scents of Loaves and Fishes” was a meditation on common rituals and deep issues associated and would be impossible for me to forsake experiencing repeatedly.
Submitted by Newsense:
Federal Deficit Commission Chair Alan K. Simpson, decrying senior citizens who are not fans of the yout music scene, recently was recorded speaking these wise words:
“This is fakery. If they [seniors] care at all about their children or grandchildren, and sometimes I doubt that — I think you know, grandchildren now don’t write a thank-you for the Christmas presents, they’re walking on their pants with the cap on backwards listening to the enema man and Snoopy Snoopy Poop Dogg, and they don’t like them!”
See the news story here.
I decided to seek out these two illustrious artists for whom seniors had scorn and Mr. Simpson had such sympathy. I was surprised, I will tell you, by what I found.
Who are “Enema Man” and “Snoopy Snoopy Poop Dogg”? It turns out they once performed in a three man a capella trio with the distinguished former Senator Simpson himself! The name of the group was “The New Proctologists” which was subsequently ripped off by far inferior bands.
L to R: Enema Man, K Simp, Snoopy Snoopy Poop Dogg
This photograph was taken in the early sixties, when the band was in its heyday. Pictured here, from left to right, are “Enema Man”–also known as Jeremy Rawls, K Simp–who would later go on to be a Federal Deficit Commission Chair, and “Snoopy Snoopy Poop Dogg”–also known as Henry Wilson, one of the earliest and most influential white rappers.
submitted by The Keyboardist
This candid shot was taken of the rock band DEATHPANDA (formerly known as Angkst) enjoying a cigarette break before a recent performance.
Angkst achieved widespread underground fame during the late 90’s and early 00’s, due to their energetic performances and unique blend of heavy metal and hip-hop. “Where Do I Belong?” peaked at #47 on the Billboard’s Rock chart in 1999, marking the band’s greatest commercial hit. “Riptide” reached #64 and was nominated by MTV for the “Best Concept Video” in 2001. In 2003, Angkst sued the band Linkin Park for “ripping off their style” and lost, generating considerable negative publicity. Things went downhill after that, culminating with the ill-fated 2005 European tour. Guitarist Blingery was paralyzed while crowd surfing during a performance in Milan, while bassist Fynx was apprehended in Bucharest after attempting to smuggle a rare species of bat out of Romania in his carry-on. Ostensibly, this prompted the breakup of the band, although most sources cite drug addiction and religious differences (drummer J-Duff was a devout Catholic who openly criticized singer B-Laz for pushing the band what he deemed to be a ‘pagan direction’) as other key factors.
However, in 2009, the group put aside their differences and reformed under the name DEATHPANDA, and began performing a mix of new and old material in full-body panda costumes. Blingery, who had been paralyzed from the waste down, was replaced on guitar by Mishredda, but joined the band onstage in wheelchair for a memorable encore performance at the Rabbot Cabaret. Fynx, who is serving a 20-year prison sentence for the trafficking of endangered species, was replaced on bass by Victor Wooten.
According to rapper Bill, “DEATHPANDA is all about promoting a positive message—protecting pandas and other endangered species—in a hardcore way that resonates with today’s youth.” The group was a commercial flop in the United States, but earned considerable popularity in East Asia. In 2010, the band relocated to Tokyo and tours throughout Japan, as well as in China, South Korea, Taiwan, and The Philippines.
Here’s a closeup of drummer J-Duff: